patanjali

A Living, Breathing Practice

1462139_orig A group of friends and I have started to gather at my house monthly to take a deeper dive into Yoga than the kind we get when we go to the yoga studio or even when we do a teacher training.  The problem with teacher trainings is that there's so much to cover in terms of content, that we don't have a lot of time to linger on some of the deeper questions, like what on earth is yoga about?  Or what's yoga to me?  Or how did the ancients view yoga and spirituality?  And how does it pertain to my life?  It is my sense that we all have to ask these questions, to not just accept techniques like asanas (yoga postures) or meditation without an analytical consideration.

And because Yoga has the propensity to be embodied and non-analytical, we're not  encouraged to go here a lot.  My teacher, Pattabhi Jois,is often quoted as saying, "Yoga is 99% practice, 1% theory."  How often do we hear the instruction, "Drop the the thought and return to the body," or "Your thoughts are like passing clouds.  Notice the thought, and come back to the breath."  This is really the heart of spiritual practice, just noticing.  And most practice, if it's effective, takes us out of our thinking, comparing, and analytical mind and into a more intuitive, sensing, feeling, and non-thinking place.

But that's not to say that the spiritual experience is, strictly speaking, a non-thinking experience.  Actually, there's a lot of thought, in fact, thousands of years of thought, about the spiritual life and the spiritual experience that we can draw from.  There are a ton of maps written by those who have walked the path before us that we can use to understand and make sense of our own journey.  It is not only important but should be mandatory for all of us who are deeply seeking to understand the traditions we come from.  That way we can start to contextualize them and make sense of them.  More importantly, I think it's imperative that we develop a critical eye for our spiritual practice and the teaching associated with it, so we can choose a path that takes us to where we need to go rather than where we're told we should go by a teacher, a teaching, or a community.

The Sutras Through a Critical Eye

As I was preparing for our last gathering, I came across an interesting podcast by Matthew Remski that really had me questioning how much authority I wanted to place in The Yoga Sutras as a map for my spiritual practice.  Remski points out some of Patanjali's weird views.  Examples include:

  1. The idea that Yoga is about such a complete separation of awareness (purusa) and nature (prakriti), that it veers in the direction of disembodied, spiritual bypass.  In other words, the cessation of the fluctuations of consciousness (1:2) lead to a recognition that one's true identity is not this body; this entity I call me; or these relationships I surround myself with.  These are all fluctuations within awareness.  Through a gradual process of detachment, we see that these things are ephemeral, and thus, not eternal.  The awareness (purusa) that notices these things that arise, stay for awhile, and pass away is eternal, and, thus, our true identity.  Extreme form of non-attachment, like the one espoused in The Yoga Sutras, has the potential to validate the avoidance of practical challenges or difficult or painful feelings or memories.  This stark dualism, separating awareness and all the things within it tends to unground people and unseat them from their innate wisdom.
  2.  The fourth chapter, Kaivalya Pada, commonly translated as chapter on liberation is a mistranslation. Pada means subject.  Kaivalya actually means perfect isolation; thus, one of the end goals of a good yoga practitioner, according to Patanjali, is to detach so much from nature (prakriti) so as to separate from society, as a whole.  Yoga was heavily influenced by the monasticism of Buddhism and Jainism.  In fact, the ethical precepts, the yamas and the niyamas, come from the Jains who believed that separation was a necessary ideal to experience complete liberation, that to be in contact with others leaves the yogi vulnerable to the negative karma of another.  In our everyday language, this is another way of saying that liberation requires that we stay away from others so as not to pick up on their bad vibe.
  3. The book is chalk-full of  magical thinking.  For example, intense forms of absorption lead to one's capacity to fly or inhabit the body of another and make that body move.

Remski's analysis--which is brilliant by the way--forces us to look twice at this text that we yogis tend to hold with reverence.  Without a doubt, much of the instruction in The Sutras is erudite and brilliant.  Developing a capacity to practice anything with non-attachment (vairagya) (1.15) is a simple and brilliant instruction on how to learn anything.  The tools that the Sutras offer us on how to witness and what to witness are fabulous instruction for each of us who would like to develop greater capacity for objectivity.

But how far do we intend to take this process?  In its most extreme form, it could lead us away from our relationships, away from community, and either into monastic life or a cave in the Himlayas.  Or maybe what we're looking for is just an hour in the day "where you don’t know what was in the newspapers that morning, you don’t know who your friends are, you don’t know what you owe anybody, you don’t know what anybody owes to you. This is a place where you can simply experience and bring forth what you are and what you might be. (Campbell, Joseph; Bill Moyers (2011-05-18). The Power of Myth (p. 115). Knopf Doubleday Publishing Group.)

Bringing Old Texts to Life

As I said before, I'm not suggesting that we ignore the classic texts.  They're giving us hints that can help us immensely on the journey.  But if we are on the path, we have to take responsibility for our journey.  Doing so requires that we look with a critical eye.  When we accept these maps on faith we sometimes end up in places we never intended to be.   A lot of the orthodox approaches within the Buddhist and Yogic tradition posits the notion that because we're too rife with avidya (misunderstanding, misapprehension, or spiritual ignorance), we cannot possibly see what will help or hinder us on the journey.  That's why we need not question the authority of the teacher, the teaching, or the community but, instead to have faith in their innate validity.

There's a third approach to working with the teachings of a tradition. We don't take them at face value, and we don't ignore them.  Instead, we struggle with them.  We see them as texts written by human beings, like you and me, and who were writing for a particular audience living in a particular moment in history with a unique set of struggles.  And then we work with the text to separate that which is essential truth for us from that which is particular to the times and perspective of the writer.  And then we try to make sense of it for the current situation we find ourselves in.  This how a tradition becomes a living, breathing, and evolving thing.  And if you consider it, we are the critical link to the evolution of the tradition.  How each of us interprets and makes sense of any tradition determines how it will be carried forth from one generation to the next.  In short, to go through this process is to take responsibility not only for our spiritual path, but to create new maps, maps that one day will influence seekers, like us.

The "GET OUT OF JAIL, FREE" Card

Get_out_of_Jail_Free_for_the_Win_Wallpaper_JxHy In my previous blog post, I described the fact that last Wednesday, I'd completed a project I'd co-run for the last six years, an Ashtanga Yoga program called Mission Ashtanga.  I did so in order to create the space needed to be able to spawn new projects.  I am trying out the perspective that in order for something new to enter, you have to create space for it.  They tell you that when you're dating someone who isn't quite the right fit that it's probably a good idea to let that relationship go, so the right one can enter.  Most of us are reluctant to do so because we wonder what it'd be like to be single, again. Will we feel lonely?  Who will we go to dinners with, now, or spend our weekends with?  Most of us can't imagine what the experience of life would be like if we didn't keep filling it.

Future F*cking

This morning, I feel like I am on the other side of that.  I'd had so much anticipation about what this moment would feel like.  Most of the anticipatory images that ran through my mind were pretty dark over the last few months.  Mainly they consisted of groundless feelings, the sense that all of my passion, creativity, and skill set would find no new outlets; that my urge for change would land me in a morass of deep grief; or, even worse, that I would have discovered that those urges were the result of some temporary delusion, some early hint of an impending mid-life crisis.  It's amazing how paralyzing my "future f*cker" voices can be.  On the other side of having made the leap, this morning, I don't feel any of the ways that I'd anticipated feeling. What do I feel?  Two things:

Fragile and Hopeful

I'd be lying to myself if I didn't admit that this move out of something that's given me a kind of daily structure and, more importantly, an identity for the last six years of my life doesn't feel vulnerable.  Who am I if I am not co-running this project?  Once again, I can feel this propensity to want to find my identity, my sense of self in the things that I do.  This is what the source text of yoga, The Yoga Sutras, calls avidya, which is loosely translated as a form of misapprehension or delusion.  It is looking for a sense of self in things that are transitory.  Letting go like this has me recognizing how safe it feels to have a work-based identity but, ultimately, how tenuous that identity is.  As soon as the title is gone, it can feel a little like having pulled off a scab, a little raw and vulnerable.

At the same time, I have this overarching sense of possibility.  For the first time in a long time, I feel like I have this very morning to myself, to think, to write, and to create.  I am no longer bound by the routines of my previous work.  It's not that I won't be practicing yoga this morning or maintaining a quality of discipline, but that I can choose, instead, to write before practicing.  It feels almost luxurious to have this very moment to form words that frame my experience, to not be bound by the have-to's and can'ts that came with co-running Mission Ashtanga: "have-to be in bed by 9PM in order to wake at 4:30;" "can't go on vacation too much;" etc.  In removing the stricture of the structure, I can feel this deep, deep appreciation for the choice I made to let go.  I can feel space, again.  The juxtaposition of the way I felt to the way I feel, now, is pretty dramatic.  I feel like I got the "GET OUT OF JAIL FREE" card.

The Love You Take Is Equal to the Love You Make

What I will eventually be doing with that card isn't altogether clear.  I'd previously wished that I had clear plans before I left.  That way I could just end one thing and pick up another.  But I can't help but feel how important it is not to do that, not to just fill or stay in motion.  I can feel this strong urge to revel in the stillness of completion; to appreciate the bounty that Mission Ashtanga provided for me; and to feel the relief that comes now that an ending has occurred.  This moment reminds me of the lyrics of a song I love on The Beatles' Abbey Road Album, "And in the end, the love you take, is equal to the love you make."  It feels like this is the moment to slow down enough to take in the creation, to breathe it in.  To run would be to miss this.

Ashtang-ulous!

Earlier this week, I noticed that a bunch of my yoga friends on Facebook were commenting on some notes from a conference led by Sharath Jois.  Sharath was giving a talk partly on sirsana (headstand).  According to the notes that were so generously shared with all of us by Megan Riley, sirsana not only benefits circulation, but it "help[s] to draw our Amrita Bindu, these golden drops of nectar that, over time, fall down into our digestive fire, back to the head.  [Amrita Bindu] drops as we age, and keeping it from burning away will keep us looking youthful and bright." When I read this, my first reaction was, "Come on?  A golden nectar that keeps us looking youthful and bright?  What's this?  Sounds superstitious to me."  I could understand how a headstand could alter circulation, facilitating the return of pooled blood into the heart, but no science books that I'd come across had located or described golden drops of nectar within the head that when preserved through inversions keep us young, if not immortal, and radiant.

And yet, over the years of being a student of this tradition, I've come to realize that it might not be useful to just blatantly disregard the teaching just because it doesn't fit within my immediate understanding of reality.  I've grown so much over the years as a human being and yoga student by grappling with concepts within the tradition that initially seemed foreign, otherworldly, and, at times, magical.  When I've applied a practice of openness, curiosity, and experimentation to the teachings, I've tended to learn more and, at the same time, grow more.  This isn't always easy for me to do. In fact, this notion of Amrita Bindu is part and parcel of various aspects within the tradition that, even to this day, still trip me up.  Examples include:

  • Ashtanga comes from an ancient text, The Yoga Korunta, written by Vamana Rishi, and is 5000 years old.
  • It is 'incorrect method' to alter sequencing, modify the poses, or include props into The Practice other than adjustments.
  • Do not practice on moon days because injuries on these days take twice as long to heal.
  • When taking padmasana (lotus posture), the left leg should always be on top of the right.  This clears the liver and spleen, straightens the spinal column, and helps the aspirant to maintain strength.
  • Yoga students should eat primarily milk, ghee, and chapatis in order to develop strength because they promote a sattvic (clear) mind and strong body. Avoid eating many vegetables.  Do not eat garlic, onions, tomatoes, or any meat.
  • Drink coffee before practicing yoga because coffee is prana (life force).
  • Don’t wash or wipe your sweat off  but massage it into the body after practice in order to make the body strong and light.
  • Men and women should only have sex:1) at night 2) when the man's left nostril is open 3) when the woman is between the fourth and sixteenth days of her menstrual cycle 4) only for the sake of having children 5) only when lawfully wedded.
  • Never breathe through the mouth because it creates heart troubles.
  • When you make the Darth Vader sound associated with Ashtanga breathing--also known as ujayi pranayama, but technically within the Ashtanga tradition, the term ujayi is restricted to a form of pranayama practiced separately from asana practice-- you increase internal heat, which thins the blood and purifies it.
  • Mula bandha should not be restricted to asana (posture) practice alone but should be practiced while walking, talking, sleeping, and eating in order to maintain mind control.

Not Saying, "Yes" But Not Saying, "No," Either

On first blush, a lot of the rules mentioned above seem a little dogmatic; at times, occult; and, in almost all cases, exotic.  I want to suggest that as Western educated yogis that we both refrain from blatantly disregarding them, and at the same time, not thoughtlessly absorbing them.  Instead, I think it's important that we learn to develop the practice of applying critical thinking.

While there's no doubt that The Practice is powerfully life-changing, it does not mean that as practitioners of this method that we completely surrender our capacity to discriminate.  It's important to be able to question what we're told.  As far as I am concerned, I think it's a sign of a mature practitioner that uses her hesitancy as a tool to learn.  Without it, we run the risk of being pollyanna-ish about everything that's presented to us. If we don't simultaneously apply the qualities of openness and curiosity, however, we run the risk of never growing out of our small bubble, of being arrogant, and of being lazy.  Being stuck on being right and knowing it all is a form of laziness.  The student never has to discover her misconceptions, nor does she have to struggle to learn.

And learning is rarely a passive phenomena.  From where I stand, I can see that it would take me several lifetimes to learn all that this practice has to impart.  Guruji's knowledge was vast and his teachings, which, on the surface, sometimes seem simple, are, in fact, quite deep.  I have no doubt that to grasp the depth of the wisdom he imparted would take me many lifetimes. And because I don't come from his or Sharath's culture, I have to struggle to put their words and experience into my life and into terms that make sense for me.  I can't just take them at face value.  I have to try to make sense of them on my terms.

I think that that's part of what makes this practice so challenging for us Westerners.  Terms, concepts, and world views are, at times, diametrically different in India than they are in the West.  There's no doubt that we're all after the same things: peace, wisdom, compassion, and happiness, but how we express the path can be quite different.  What's required as Western students of this tradition is the work of bridging the cultural divide by translating The Practice into terms that are both culturally and individually relevant so that they simultaneously breathe new life into our practices and perspectives on life.

Santa Claus Isn't Coming Down the Chimney Anymore

I sometimes wish that I could just have faith in someone else's words and let that be enough.  I don't think I am alone in my longing.  Having faith doesn't necessarily come easy to a lot of us in the West.  For a lot of us, faith is like still believing in Santa Claus.  At some point we all discover that he doesn't necessarily come down the chimney, that that's just something someone told us.  And when we're old enough to discover this, it can be heartbreaking, but that experience awakens us to something else, the capacity to question what we're told.  And this questioning can be very useful in the times we're living in, especially when our advertisers or our politicians are trying to get us to buy or vote for things that don't serve us.

But at the same time, in spite of our capacity to apply critical thinking, we in the West aren't, on the whole, necessarily a happy culture.  We may be rational, but we're missing a sense of meaning, a sense of order to life.  A lot of what we face in the West is a sort of spiritual wasteland.  So when we look to lineage-based traditions from another culture, like Ashtanga, that are rooted in the wisdom of antiquity, we can't help but want to find the magic, again.

I remember when I used to think that if I did my asana practice six days a week for the rest of my life, "All was coming."  At some point along the way, though, I discovered that Santa wasn't coming down the chimney of my practice, either.  There is no doubt that the practice is an immensely helpful force in my life and has been over the last twenty years, but it's not perfect.  It has helped me overcome the trauma of my brother's suicide; it introduced me to an international family of like-minded people; and it has created a lot of meaning and order to my life.  But it doesn't and can't solve all the woes that ail me.

I completely understand the urge to want to buy the system and everything about it as perfect.  It's so tempting to  do.  And over the years, I've seen lots of my yoga friends initially do this but eventually, something snaps.  I can't tell you how many former vegetarians I've known in The Practice, or people who were incessantly talking about postures and what pose they were on in Mysore, and then, at some point, drop the thing altogether.

One friend of mine had spent a few years living and studying in Mysore.  Like me and like so many others I know, he came to Ashtanga, initially, to heal old wounds.  Early on in his studies, he spoke about, practiced, and taught Ashtanga Yoga with the fervor of a "true believer."  Every other sentence out of his mouth would be a quote from Guruji: "Slowly, slowy, you take." "In-correct!!!" "Yes, yes, you come!"  Eventually, this parroting became a little creepy to me, and I kind of wanted to tell him to cut the crap, but eventually, he got injured.  And while he struggled to continue to practice and teach, at some point the message and the method stopped making sense to him. His conscience would no longer allow him to teach or practice what he eventually saw as "a bunch of bullshit."  This is just one story of many more stories I could recount of friends who started gung-ho, but eventually recognizing that something was askew.

Having Faith in Skepticism

From my perspective, what was askew was not necessarily the teaching, but that my friend didn't maintain his healthy skepticism. When we surrender our capacity to discriminate, we actually  end up suppressing a significant part of our identities, something that we need in order to both get through life, but also to maintain our sanity within the confines of groupthink. In short, it's really a significantly important part of The Practice to question and struggle with the discrepancies between what's taught and what we, in fact, experience.  One of my favorite quotes on this matter comes from one of the most renowned Indian yoga gurus in history, Siddhattha Gotama Buddha.  He said,

"Do not believe in anything simply because you have heard it. Do not believe in anything simply because it is spoken and rumored by many. Do not believe in anything simply because it is found written in your religious books. Do not believe in anything merely on the authority of your teachers and elders. Do not believe in traditions because they have been handed down for many generations."

To me, the Buddha is saying that part of our job as yogis on the path is to use the practice as the vehicle to work with the teachings.  We don't just buy whatever we're told.  We use our practice as the testing grounds to experiment with the hypotheses presented to us.

Making Sense of Apparent Nonsense

If we're truly on the path, not only do we not have the luxury of taking things at face value, but we also don't get to blatantly put everything that doesn't fit into our worldview into the categories, "false," "wrong," or "superstitious." A former student of ours used to come to samasthiti (even standing posture) each morning to chant the opening prayer, but he refused to join in with the other voices.  When I asked him why he didn't, he said indignantly, "I am not a Hindu. I don't want to say something that I don't believe in."  So I decided to share an English translation of the prayer with him.

When I asked him what he thought of the opening prayer after reading the translation, he said, "Yeah, like I said, I don't want to chant a Hindu prayer."  So instead of leaving it there, I suggested that we go over the translation of the prayer together.  Instead of leaving the prayer in the category of "someone else's sentiments," I wanted him to see where, in fact, the words might actually mean something to him.

So we spoke about the first verse of the invocation, which is about having gratitude for the teacher that helps us overcome samsara.  Samsara is often translated as conditioned existence.  It's this idea that we keep being reborn from one lifetime to the next until we've conquered our misapprehension.  Once we've done so, we've attained suahavabodhe (happiness in the purity of mind). He liked the idea of overcoming delusion and uncovering happiness, but he couldn't get his head around reincarnation.

So, I suggested that he not get stuck on lifetimes, either before or after his current life, but that he see that within this very lifetime he was in, he'd already experienced numerous iterations of himself.  While something of him had always remained the same, he'd also been a child, a teenager, and a young adult.  As a result of these changes, he'd experienced several lifetimes within this very lifetime, and he was bound to experience more.  He liked that notion that within the various stages of life he had left, that he could intend to overcome the delusions of samsara.

He had a hard time with the notion of bowing down to a guru, though.  "I don't want to give anyone else that much power."  So I suggested a few other ways of holding this notion of the guru, either the guru could be an inner part of his psyche that was innately wise, resourceful, and powerful.  I also suggested that the practice, itself could be seen as the guru, that through the practice, itself, confusions, doubts, and suffering could be overcome.  "Yes, he said, that's true.  I feel so much calmer on the days I practice.  It's on these days that I make better decisions.  Yeah, the practice is my guru!"

That was the first verse.

When we took on the second verse, he had a lot more difficulty.  The second verse of the Ashtanga invocation is about prostrating to the author of the Yoga Sutras, Patanjali, and visualizing him as a serpent with a thousand heads with arms holding a conch, a wheel, and a sword.  On first blush, he said, "This reminds me of pictures of Hindu gods and goddesses with multiple arms.  I am spiritual, but I am not religious, and I don't want to pray to a god, certainly not someone else's."

I explained that the verse is an homage to the author of The Yoga Sutras, Patanjali, and is suggesting that the philosophical backdrop of The Practice rests in The Sutras.  Patanjali is mythologically considered to be a serpent that serves as the asana (seat or yoga posture) of Vishnu, the god of infinity.  As the serpent, he's holding a conch, a wheel, and a weapon or sword.  The conch is symbolic of the music of the cosmos that calls yogis to live noble lives; the wheel represents the wheel of dharma, or the order of life (as opposed to the randomness); the weapon or sword represents the power of discriminating good from bad, right from wrong, and truth from fiction.

I suggested that he hold the image of the serpent with multiple arms as representative of various values.  First, that our practice is rooted in a system of thought that is deep, profound, and life enhancing, that it's not just another form of calisthenics or aerobics.  Second, the symbol of Patanjali as a serpent that acts as the seat of Vishnu might mean that by sitting or abiding in the wisdom of this philosophy, that we have access to our infinite nature. The symbols that the serpent holds call us forth to make life enhancing choices, ones that are noble, moral, and truthful.

My student liked my translation, but to him the Hindu iconography was just "too Indian."  And, he didn't, in fact, know anything about Patanjali.  He'd heard of The Yoga Sutras, but hadn't read them or studied them, so he couldn't see the significance of venerating someone or the words of someone that didn't mean anything to him.  So, he agreed to chant the first verse of the invocation and refrain from speaking the second verse.  As far as I was concerned, I could completely appreciate his decision.  I also asked him if he'd be up to studying the Yoga Sutras, which he said he'd consider.  I appreciated that he'd walked through this process with me.  He didn't just throw the whole thing out as, "Hindu mumbo-jumbo."  He actually did the work.  And in doing so, he could start to chant the first verse of the invocation without feeling like a fake.

For many of us, we need to do this.  It's important to parse out what is, in fact, meant by the teachings.  We need them translated in terms that make sense to our lives. It isn't in anyway shameful to not understand the teachings.  It's only shameful to simply pass them off as nonsense without making any effort, without seeking to meet the essence of the teachings and to allow them to grow us.

I realize that the list that I made at the beginning of this blog is just the tip of the iceberg in terms of what we as Western Ashtanga yogis must struggle with if we are to continue to use our discriminative minds within The Practice.  It takes a sort of courage to give up the magical notion that Ashtanga is some divine sequence of movements and postures passed down to us from time immemorial by a saintly being who lived in a time and a place when everything and everyone was perfect and wise.  That'd be nice if that were the case, but it's unlikely that that's true.  But that doesn't mean that The Practice is all hooey, either.  It just means that we get to and, in fact, have to do our work, including practice and study, to find a way in that makes sense and, at the same time makes our lives and the lives of those around us better.

The Power of 1%

I prostrate before the sage Patanjali who has thousands of radiant, white heads (as the divine serpent, Ananta) and who has, as far as his arms, assumed the form of a man holding a conch shell (divine sound), a wheel (discus of light or infinite time) and a sword (discrimination) OM

Most of us come to Yoga looking for something. Initially we come to get in shape or to calm down.  With time, however, we start to experience something blossoming within us that is powerful and we start to wonder what it is all about.  That’s where studying texts can often come in handy.  Unfortunately, Yoga philosophy is given tacit mention in many Yoga rooms around the world. Classes, teachers, and methods are often so preoccupied with teaching physical techniques that the deeper philosophy of Yoga often gets sidelined. My teacher often used to say:  “Yoga is 99% practice and 1% theory.”  What he was implying was that you could read all sorts of books about Yoga, but until you actually put it into practice, you could not know what Yoga was.  Unfortunately my teacher’s statement has been taken too literally in most Ashtanga schools.  Instead, mastery of asanas has become overemphasized.  Not many teachers encourage us to stop and ask ourselves what Yoga is all about.

Translations that Don't Make Sense

Admittedly, I fell into the same trap.  Up until a few years ago, I ignored those peers of mine who raved about studying Yoga philosophy.  I stuck hard to my 99% practice and gave little to no thought to that 1% theory.  I was too busy trying to perform advanced asana sequences to have time for high philosophy. To me it seemed like my friends interested in sutras and Sanskrit were all too proud of their knowledge.  I never knew much about Yoga philosophy beside the bits and pieces I would hear from teachers or need to parrot off in Yoga classes, like the names of the eight limbs of Yoga.

One thing always sort of plagued me about Yoga philosophy.  It was the definition of Yoga I'd heard from my first teacher:

Yoga is the cessation of the fluctuations of the mind stuff.

That definition is one of many interpretations of the second verse of Patanjali’s Yoga Sutras, Yoga’s seminal text.[1] The problem I had with the above translation was that in the many years I had been practicing yoga, I had never achieved an ounce of the definition. No matter how far I had advanced in my asana practice, I never stopped thinking altogether.  No matter how hard I tried, I couldn’t get rid of that little voice inside that yammers away at me.

I used to test myself to see how long I could go without thinking a thought.  As soon as the test began, I had already failed.  It was like trying not to think of the pink elephant in the room.  Using this interpretation as a benchmark for my success on the path of Yoga doomed me to utter failure, so I simply chose to ignore it and keep plugging away at my practice in hopes that one day, maybe in a very advanced posture, I would get it.

The Importance of Translation that Do

Only a few years ago, I found an access to Yoga philosophy.  As I was preparing for a workshop, I ran across a translation of The Yoga Sutras that not only seemed somewhat manageable for me to achieve, but it illuminated a vision of the practice that reached far beyond the mat and into my life.  It came from T.K.V. Desikachar’s The Heart of Yoga: Developing a Personal Practice (Inner Traditions; Revised Edition. March 1, 1999).  Desikachar interpreted the second verse of The Yoga Sutras as: “Yoga is the ability to direct the mind exclusively toward an object and sustain that direction without any distractions.”  In other words, Yoga is the ability to concentrate.

What a relief!  Instead of ceasing to think, Desikachar's definition of Yoga was something I knew.  Granted, it wasn't always easy to focus for a sustained period of time, but it was possible and something I was familiar with.  I'd had the experience of being focused on something before.  I hadn't had the experience in which I stopped thinking altogether.  But I’d had the experience in which ancillary thoughts sort of diminished the more I focused on one thing. In short, Desikachar's interpretation personally helped me find a human, down-to-earth way of relating to the philosophy of The Practice.

A Definition of Yoga That's Wide Enough to Include All of Life

What also fascinated me was that this translation did not say, “Yoga means doing a yoga posture with mastery."  In fact, I’ve never come across a translation of The Sutras that says this.  The Sutras, in fact, say very little about yoga postures. Instead, it said that Yoga is concentrating on an object. The object could be anything. One could perform Yoga on something as simple as the breath, a sound, or an image.  The object could be a concept, like love, change, or life.

It is so easy to get stuck in the perspective that one life exists in Yoga class and another exists while having a drink with a friend, behind the desk at work, or while taking out the trash.  According to this definition, they are all opportunities to achieve Yoga.  We misunderstand when we think that we are better yogis if we can teach a Yoga class or perform advanced asanas.  If that were the case, then all Yoga gurus would be great circus performers.  How come we do not tend to consider mechanics, musicians, or designers yogis?  By this definition, the work they do, if concentrated, is, indeed, Yoga.

Seeing Things As They Are, Not As We Hope, Wish, or Imagine

What is the benefit of concentration, anyway?  The next two verses of The Yoga Sutras clarify this. Once we have achieved concentration on a particular object, we come to know the object as it is.  When we don’t concentrate, when we are not really present with what we're doing, we see what we want to see, hope to see, or think we should see.  In the end, we don't really see.  We project something from our imagination, and as a result misinterpret what we see.

Romantic relationships are a great and probably the most challenging example of this.  The moment of falling in love is a beautiful experience. All too often the experience causes us to imagine that our beloved is the answer to all our suffering.  Such a projection is disastrous for any relationship.  It puts undo pressure on the other and the relationship.  But if we stay present to what the true experience is and not the Cinderella story, falling in love can be extremely transformative.

The point of practice is to get the hang of seeing clearly.  If we narrow the definition of Yoga to a set of exercises that when achieved masterfully will somehow bring about tranquility, we totally miss the point.  The exercises practiced on the mat are simply metaphors for our lives.  We come to the mat to develop the skill of seeing, feeling, and sensing ourselves from moment-to-moment, breath-to-breath, vinyasa-to-vinyasa, asana-to-asana.  We’re often confronted by the fact that we’re stiffer than we were the day before.  That’s a great opportunity to just see this without guilt, fear, or judgment. Using our practice as a discipline for getting the hang of things as they are on a bodily, kinesthetic level can have vast ramifications throughout our lives.

Certainly, asanas practiced with the correct attitude can teach us a lot about ourselves; however, if we do not find an access to the rich philosophical framework on which the practice rests, we risk getting caught in learning a bunch of circus tricks that only prevent us from seeing things as they are.  One of the reasons we come to the mat is to learn how to wake up.  Source texts are an integral part of that awakening process.  They must speak to us, though, on our terms so that we can derive meaning that makes sense in our own lives.  Sometimes we have to struggle with those texts in order to get at that meaning.  But once we do, getting on the mat has the potential to be an enlightening experience.



[1] Essentially The Yoga Sutras are an ancient practitioner’s manual for Yoga practice and philosophy.  They were written as a grouping of 195 brief statements, or sutras, that express a principal.  The brevity of the each sutra, lends it to being interpreted in a wide variety of ways.

 

The Age of the Guru is Over…Now What?- Part 3

'The Age of the Guru is Over…Now What?' Series

This is the third part in a three-part series.  In the first post, we explored the traditional relationship of the guru and disciple.  In the second post, I made the argument that this relationship is no longer valid in this day and age.  In this final posting, I will posit some ideas of what I think might replace it. 

I've taken quite awhile to post this, partly because I wanted some feedback from friends.  Thank you Brook, Lauren, Peter, Karen, and Norman for all of your insight and depth.  Much of what is written below is the result of ongoing conversations that Devorah and I have had about the student-teacher relationship.  It is the result of our collaboration and an elucidation on our mission at Mission Ashtanga, to create a safe space for transformation.  So while I have written it, I want to give credit where credit is due.

Also, some of the ideas I am using, especially the idea of relationship design, has been drawn from the Co-Active Model designed by Henry-Kimsey House, Karen Kimsey-House, and Laura Whitworth, the founders of Coaches Training Institute.  Whatever the reader’s preconceived opinions of coaching, I encourage him or her to put them on hold and be curious.  I have found aspects of this model to be a useful tool in creating intimacy, connection, and trust with my students and wanted to present it in a way that applied to the teacher-student relationship in yoga.

I have been reticent to post this because I know that whatever I posit here is totally incomplete.  This is a complex relationship and for every teacher-student relationship, there must be a unique form of relating.  Likewise, there's just no way to sum up how a modern student-teacher relationship could possibly take the place of the guru-disciple relationship. It can't.  That relationship is a unique one, a style of relating and relationship that is thousands and thousands of years old, and the tradition of it is a rich one.  But at the same time, I think it's important to recognize, as I've said previously, that our modern Western, egalitarian culture doesn't condition us for such a relationship.  Instead of growing and evolving through it, many of us have a propensity to abdicate our power in it.

So what I am hoping to provide below is a barebones framework that is loose enough so as not to stifle the relationship but not so loose as to be without structure. If the framework is too loose, both students and teachers run the risk of crossing boundaries, manipulating one another, projecting, and miscommunicating.  The structure is designed to ward off some of these pitfalls.  At the same time, I intend for the structure to be loose enough to accommodate the nuances that occur in any relationship, and to provide space for spontaneity, creativity, and intimacy to show up.  That way the relationship can remain fluid, dynamic, and transformative.

Why It’s Important to Have a Teacher on the Path of Yoga

Not everyone who comes to yoga class is looking for the full-promise of yoga.  Many students just want to get stronger, feel better, or have a positive group experience.  There is absolutely nothing wrong with these approaches to yoga. Yoga is for everyone no matter where they are or what they want from the practice.  However, I am starting with a little bit of theory to point out the fact that the work of yoga can be very, very deep.  And, in this case, it can be extremely helpful to have a teacher.  Not everyone wants to go there, and that’s perfectly fine.  The description below is what’s possible from the practice of yoga, as described by Patanjali in The Yoga Sutras, a text dated sometime between the 2d centuries B.C. and A.D. and considered by many to be the authoritative source text that describes the path of yoga.

Historically the role of the guru was to help the disciple to distinguish (viveka) temporal from eternal, relative from absolute, truth from fiction, and light from dark.  The tricky part of this work is that asmita, the excessive sense of I or me, often wants to assert itself.  And the truth of the matter is that the asmita is not particularly adept at distinguishing truth, eternality, or the absolute.  The asmita is in a sort of hell realm, constantly grasping to what gives pleasure and trying to avoid that which is uncomfortable.  This hell realm is known in yoga as avidya, which can be translated as misunderstanding. A lot of the work of yoga is a slow, gentle a dismantling of this misunderstanding associated with this excessive 'I-clinging.'  One might argue that the role of the guru was to make sure that this 'I-clinging' didn’t get in the way of the process of realization.

That’s why most traditional schools of yoga or Buddhism emphasized the teacher-student relationship and not the practice of postures or meditation, alone.  Without a teacher the aspirant risked misleading him or herself.  He or she risked being led around by a craving for pleasure (raga) and a repulsion of discomfort (dvesa).   For Patanjali, yoga wasn't about feeling good, nor was it about feeling bad, either.  It was a game of noticing that which was beyond pleasure and pain, clinging and aversion.  It was a game of noticing essence, truth, and the absolute through a long, steady process of discernment.  According to Patanjali, this process takes continuous practice (abhyasa) and the skill of non-clinging to pleasure or aversion to discomfort (vairagya) to be able to see clearly (1.12).

Very few of us naturally have this discipline.  It's not easy to be with discomfort.  Many of us can be with some discomfort. Few of us can be with it for extended periods of time. Nor are we apt to give up our 'I-clinging.' The process of letting go of what we cling to and being with what we’re averse to is counterintuitive.  Additionally, the role of the guru presupposes that no matter how earnest we are, we can all get pretty slippery from time to time, and this can take us off of the path, even when we think we're on it.  In other words, it can be pretty useful to have a relationship with someone who is committed to our growth and transformation, someone who can offer an honest reflection and guidance, too.

What Qualifies a Teacher?

And yet, we're living in a time when none of our teachers are fully illuminated.  So what kind of criteria do we employ to choose someone to teach us?  Do we choose a teacher because he or she has been on the path longer than we have?  I don’t think that this is a valid reason to study with someone. Length of time does not qualify someone to be a teacher.  I can't tell you how often I run into ‘20-somethings’ who are so darn wise these days.  I don’t know what’s happening to our gene pool, but I am excited by the generation that’s in their 20’s these days.

So what standards shall we use to determine the qualification of a teacher?

▪   Years on the mat?

▪   Years spent with the leader of the tradition?

▪   Displays of mastery?

▪   200 hours of teacher training?

▪   400 hours of teacher training?

What determines a qualified teacher?  How the heck are we going to experience the full promise of yoga without someone who's qualified?  And how are we to determine those qualifications?

   Above is a rough outline of the teaching model I describe below.  At the heart of the model is the student's evolution.  That should be at the heart of the teacher-student relationship.  The spokes around the central wheel represent the qualities of relating that the teacher provides.  The relationship is wrapped in the 'designed relationship,' which is essentially a spoken agreement that the teacher and student make with each other in service to the student's evolution.  The foundational blocks at the bottom of the model represent presuppositions and prerequisites within that relationship that create clarity, safety, honesty while at the same time empower the relationship. 

Collaborative Relationship Designing

The problem is that it is impossible to be qualified to be a guru in this day and age.  Gurus are 'fully-cooked,' so to speak.  And most yoga teachers aren’t even close.  We all have some clarity and a lot is still obscure.  And while some of the prerequisites I list above can be helpful, I don’t think that any one of them can prepare a teacher to support a student on their path.

So I am starting with a basic premise: no one is perfectly qualified for the role of a teacher.  Everyone in that role will be imperfect, flawed, and will make mistakes.  It can be extremely helpful to start from the most basic recognition that our teachers will be and are human, people with good intentions who might fail us, nonetheless.  Given that, how do we find ourselves in loving, trusting relationships with a teacher that can support us in our evolution along the path of yoga?

It starts with an agreement that I call relationship design.  In relationship design, the context for a relationship is spelled out.  In other words, it is a conscious contract that provides clear boundaries and a sense of direction for both teacher and student. When the agreement isn’t clear boundaries are crossed that can do damage.  I once had a really bad experience with a teacher in which I abdicated my own common sense in favor of my teacher’s common sense, thinking that her’s was ‘more enlightened’ than mine. By doing so, I made a decision that went totally against my own code of ethics.  As a result, it kind of ruined me for a period and destroyed some significant relationships that meant a lot to me. Had we designed clearer boundaries along with the space where I could struggle with decisions myself, I might not have had to experience that suffering.  As a result of that experience, I am acutely aware that as a teacher, I cannot presuppose anything about my students wants or needs.  In other words, I don’t know what’s best for my students.  I am constantly asking my students to design with me what they need.

So when it comes to the relationship of teacher and student, it can help the process immensely for that relationship to be crystal clear.  When it’s clear, both student and teacher can feel confident in their respective roles. The more committed student and teacher are to staying in communication, even and especially when the going gets rough, the more powerful that relationship can be. The more communication around the structure of that relationship, the safer it is for the student to delve inward and to know that he or she is supported.  Additionally, it is critical that the relationship be continually tended to and be kept tidy.  At the end of this piece, I give an example of how to start the conscious design of a student-teacher relationship.  Have a look.  Give it a try.

Humanity as the Doorway to a Sacred Friendship

Given the premise stated above, that no teacher is perfectly qualified to teach, it can be immensely helpful if both teacher and student start by recognizing the sanctity of the relationship.  This relationship has the potential to be a form of yoga itself.  It has the potential to be something quite unusual.  As you read on, you’ll see that what makes it unusual is that it is one rooted in collaboration and based as much as possible in agreement, transparency, and intimacy.  When both teacher and student fathom the honor of the relationship, both naturally hold one another to a particularly high standard.

In the few times that I taught classes for a friend in Tokyo, I have been struck by the way Japanese students regarded the sensei.  As the teacher, I sensed the students’ reverence in a way that we in the West have difficulty comprehending.  Given the level of surrender these students demonstrated, it would have been quite possible for me to take advantage of the situation, but I personally found it the case that I couldn’t help but step up in a way that I’d never stepped up as a teacher before.  It was a great honor to be held as an authority, one that I couldn’t help but want to meet.

Likewise, I’ve experienced students walking into my classes with a sort of disregard for the role of the teacher.  That’s perfectly fine.  Not everyone would like a teacher, and many of us have experienced wounds at the hands of teachers.  At the same time, without a regard for the sacredness of the roles, the teacher-student relationship takes on the quality of being a financial transaction, “payment for poses,” kind of a boring way of relating.

So honoring the sacredness is one part to this premise.  Another part is that because the teacher is never perfectly qualified to teach, he or she can be regarded as human, warts and all.  Some of us want our teachers to be extraordinary, but they're not. This is a real set up for failure, the teacher failing the student and visa versa.  But when the student can recognize and interact with the teacher’s humanity, a true connection can start to be established, one that encourages a quality of human-centered friendship.  It is rare to have a relationship where one’s humanity is honored.  Very few of us experience relationships where we have permission to share all of ourselves and all parts are welcome.

Another boon associated with recognizing the teacher’s humanity is that it allows for both the teacher and the student to make mistakes.  Relationships where mistakes are valued are dynamic and creative.  Both people aren’t afraid to try things, to mess up, and to have breakthroughs.  If the teacher has to play-it-safe for the sake of not upsetting the relationship, the relationship lacks a sort of dynamism that’s necessary to face the tough stuff that comes up on and off the mat.

The Shadow: Trust and Transparency

Both students and teachers have their limits of what they’re capable of working with in the shadow-work that shows up on the mat and in the relationship.  Playing with this edge can be very useful.  For the teacher to take the student past the student’s edge, he or she must be confident in that territory him or herself.  The teacher has no business shoving students into areas that are unfamiliar to the teacher.  Below, I describe the prerequisites of teachers: self-study, peer feedback, and mentor feedback.  All of these ensure that the teacher is doing the inner work necessary to support their students when they enter unfamiliar and uncomfortable territory.

Because the work of yoga confronts some of our most intimate spots, the student must be able to trust the teacher as much as possible.  And so there has to be agreement between the teacher and student such that the student grants the teacher permission to head into a particular area, especially areas that feel vulnerable or scary.  All it takes is a simple request, like “Is it okay if we go here?”  Sometimes it can be helpful to create more dialogue before entering in.

In my first year as a teacher, I ran into a situation that I am not proud of but feel that it’s pertinent to share.  I had a student who was very, very proficient at Ashtanga Yoga. I thought, “This guy is good.  Let’s keep him going!”  So I kept giving him pose after pose.  Eventually he started to say stuff like, “I’m good.  I don’t need any more, now.”  But I kept adding poses on.  At some point, he stopped coming to class, and I found out through the grapevine that he’d had a psychotic break that he considered a ‘kundalini rising.’  While I don’t take full-responsibility for what happened, I had a part, a big one.  I was pushing, thinking that I knew best, when, in fact, he knew better.  That experience taught me a lot about both trusting the wisdom of my students and keeping the conversation clear.

Throughout that work, it can be helpful to be transparent.  Transparency isn’t just in the hands of the student.  It can be extremely helpful and useful for the teacher to share when they’re confused, concerned or scared in relationship to what’s happening with a student.  If the teacher has to pretend to be okay when he or she is not okay, it creates a low-level of distrust in the relationship.  Transparency feels counterintuitive, but it’s honest.  And being honest is an incredible gift that the teacher grants the relationship.  It creates trust.  When there is trust in the relationship, students and teachers enter into an intimate dialogue that is not misconstrued or taken advantage of by one or both parties.  When there’s a lot of trust in a relationship, there is no telling what's possible for the student.

Selfless Service

The role of the teacher can be tricky.  Occasionally students adore their teachers.  Sometimes they loathe them. If the teacher is caught in the ‘popularity game,’ he or she will end up being manipulative.  I've been caught in it, myself, from time-to-time.  Occasionally, I will notice myself trying to use my charm to get students to like me.  Once again, I am not proud of this, but it happens, and I don’t think I am the only teacher that’s fallen prey to wanting to be liked.

My proudest moments, though, have been when I've seen a student uncover something she or he'd been confused about or struggling with; when I've seen him or her diligently stick with something even when it was really uncomfortable; and in those moments when his or her wisdom, brilliance, and insight emerged with more clarity than that of a diamond.

In these moments my focus was not on me but on my students and their discovery process.  That doesn't mean that I was perfectly objective, neutral, or impersonal.  It just meant that my stance was first and foremost about my students, not about getting my personal wants and needs gratified.  In short, the role of the teacher is one of self-less service for the sake of evoking the student’s evolution.

In Service to Evolution/ Granting the Respect of Autonomy

Part of the challenge this relationship faces is the fact that the student is paying the teacher to provide a service.  In most service positions, the role of the server is to provide both care and comfort.  While care and comfort may be useful qualities to cultivate in a teacher-student relationship, they cannot be the only qualities.  If the student expects to experience the full promise of yoga, then the relationship has to have room to be edgy and uncomfortable, as well.  Without that, the yoga room becomes a ‘feel-good space,’ and this doesn’t really have anything to do with this path of distinguishing (vivieka) misunderstanding (avidya).

The teacher’s primary responsibility, then, is to the evolution of his or her students, not to the perpetuation avidya.  This is where the role of the teacher can get tenuous.  Manipulative teachers have been known to take advantage of this aspect to the role of the teacher.  They’ve justified narcissistic behavior as something that’s “best for the student” when, in fact, it’s actually best for the teacher.

Being in service to the student’s evolution means that the teacher isn’t always in agreement with the student and is granted enough trust by the student to assert what needs to be asserted for the student’s growth. At the same time, the teacher grants the student the respect for their capacity to make decisions.  Decisions of the student are of their own choosing and those decisions have to be respected.

Presupposing Our Students are Whole Rather Than Broken

Early in this discussion, I was speaking of the basic premise that no one is perfectly qualified for the role of a teacher.   Similarly, it might also be useful to start from another premise, that students are whole and complete.  They’re not broken.  They don’t need to be fixed.  In fact, the role of the teacher is to empower the student to trust him or herself, especially those parts that are innately wise, compassionate, and clear. This is a very unusual premise.

In most teacher-student relationships, the role of the teacher is to presuppose that the student has something wrong that needs to be altered, changed, or reworked. Rarely is this, in fact, the case.  In the years that I have been teaching, I have rarely come across someone looking to be put back together again.  When this is the case, psychiatry and psychotherapy can be extremely useful adjuncts to yoga therapy.  But more often than not, students that have shown up to my classes are resourceful enough to make good decisions.  Sometimes, it can be helpful for me to offer my expertise or to ask questions.  Ultimately, I leave the decision in the hands of my students. If I regard my student either as broken, confused, or lost, it can be nearly impossible for him or her to access his or her own clarity.  If the student cannot trust that something within is innately wise, then he or she will remain lost at sea.

I personally have had mentors and friends that have wanted to fix me at certain low-points in my life, people who had very good intentions, in fact.  The problem with those relationships was that I would often abdicate my will to them, and while they may have steered me away from dangerous rapids, I never learned to either ride the rapids or to identify them in the distance.

When I can cultivate my students' confidence in their decision-making capacity, magic begins to happen for them.  They begin to trust the wise parts of themselves to lead with clarity.  So much of the baggage my students come in with is not from being egotistical.  They don’t need to be knocked down and then eventually rebuilt.  On the contrary, most of my students struggle with a degree of self-doubt, lacking the confidence that they know how to make good, sound decisions. When a teacher can cultivate a student’s innate strength, the process of clarifying (viveka) can take place.

Prerequisite: Svadhyaya: Continuously Growing and Evolving

If a teacher is not actually walking the path, he or she probably shouldn't be teaching it. Now, there's a lot of wiggle room in terms of what that means.  If, for example, a teacher has a knee injury and doesn't practice various asanas, it doesn't mean that he or she is not qualified to teach.  That's too literal a translation.  The essence of what I am suggesting is that a teacher needs to be growing and evolving and in self-study (svadhyaya) in order to be able to help his or her students sort out their struggles.  That really must be a prerequisite to teaching.

Prerequisite: Peer and Teacher/ Mentor Feedback

Another prerequisite must be that a teacher has a teacher or mentor of their own and a peer body to get honest feedback from.  If the only people a teacher receives feedback from are his or her students, he or she risks becoming narcissistic or bipolar.  Sometimes students love the teacher.  Sometimes they don’t.  And student feedback is biased, by nature.  Peer and mentor feedback is not.

I've been very lucky in my years of teaching.  I have had some smart teachers that I've partnered with who I've given permission to give it to me straight. It doesn't always feel so good to know when I am off base in a particular situation, either with a student or in the classroom, but with that feedback, I've learned a lot.

Having peers also gives one a sense of camaraderie, the sense that while the experiences of teaching are different, the essence of it is the same.  I often find it comforting to have a space in my peer relationships where we can commiserate about the ups and downs of teaching.  It normalizes experiences and situations where I do not feel confident.

Finally, having a teacher or mentor is critical for most teachers.  It can be extremely useful to have someone to share confusions with, to seek clarification from, and to learn the art of deeper inquiry.  Teachers need teachers and peers! These simple measures ward off the possibility of vainglory, a common pitfall associated with being in any role of authority.

A New Conversation

We’re living in different times, spiritually speaking, now that the age of the guru is over, but that does not mean we cannot experience the promise of yoga.  It just means that we have to get a little creative.  What I’ve presented above is very preliminary.  I welcome all of your feedback.  I have no intention of this being a ‘final statement,’ but, instead, something to evoke a conversation, something that we as a community have the courage to struggle with.

The Sangha May Be the Next Guru...

Before I end, I want to share a suggestion that Ken Wilbur posited, that the new guru is the sangha or community of like-minded individuals on the spiritual path together.  I have actually had several experiences of living in and amongst communities.  More often than not, there is no uniform agreement within it to use it as a tool for transformation.  When there is, however, the experience can be absolutely brilliant and searing, at the same time.

I notice that we’re in a time when we long for community and yet we’re all frightened of it, of exposing ourselves and of being exposed.  Likewise, many of our most painful moments have been in community, so we all have a lot of wounding around community, as well.  But we’re also lonely, disconnected, and disjointed.  And community can be a powerful place to reconnect, again. That’s why I think Wilbur might just be right.  It might just be the perfect opportunity to wake us up to our true nature.   Your thoughts?

Exercise:  Designing a Relationship With Your Teacher

It may seem a bit artificial, at first, to have a ‘sit down’ with your teacher, especially if you have an ongoing relationship with him or her, however, the results can be very powerful and pivotal for you, him or her, and your practice. By the way, the design doesn’t end after the first conversation. It is constantly being re-negotiated. That way, the relationship remains both flexible and tidy. Below are just a few pondering questions that may give you a sense of what might be shared in such a conversation.

  1. What exactly do you need and want from your teacher? From your practice?  For yourself physically, emotionally, spiritually, etc.? If your relationship with him or her were to have a huge impact in your life what would it look like?
  2. What’s your sense of what will really support your growth in the practice?
  3. How do you want your teacher to handle you around risk taking?  Does it help to push you, to be gentle with you, or to be somewhere in between?
  4. When and how do you tend to get evasive?  Do you stop coming to practice?  Do you get angry?  Do you shut down? How do you want your teacher to be with you when you do?
  5. Where do you usually get stuck, either in your practice or in relationship? When you are stuck, what can he or she say that will bring you back to the present moment?

What does your teacher need from you in order to support your evolution?

Chit: Noticing What Is

In my previous entry, I discussed Sat-Chit-Ananda, an ancient yogic compound of three Sanskrit roots: sat, chit, and ananda, that describes the qualities of the experience of yoga.  I spent most of that blog entry discussing ananda, which I translated in our everyday language, as "the yum."  By "the yum," I mean that profound experience that something deep inside is fed and, thus, resonates profoundly.  We all have an experience of this from time to time.  It shows up in those moments when life is especially rich, rewarding and poignant.  "The yum" is our truth; it's our essence; it's our raison d'être.  And essentially, I made the case for the idea that "the yum" is what we're after in the practice of yoga.

Eyes Unclouded By Longing

In this entry, I intend to speak about chit, which is really "the doing" of Sat-Chit-Ananda.  It's the action we must take to uncover, and meet "the yum."  Chit is often translated as understanding, comprehending, or the fixing of the mind.  The action that leads to such an outcome is, essentially, observation, the simple act of noticing.

And it's not just any old noticing, it's the kind of noticing that occurs when the "eyes are unclouded by longing." (Tao Te Ching).  It's a kind of looking, listening, feeling, tasting, touching, and intuiting that allows us to see into things but is not obstructed by stories, dramas, or any interpretation whatsoever.  It's really just noticing what is.  The action of chit, as described in The Yoga Sutras is an active form of observation without interpretation.  When we really get to know things without immediately jumping to conclusions, when we can just notice with curiosity, openness, and a quality of freshness, we come to know them as they are.

The Habits of Seeking Relief

We rarely see this sort of observation applied on the geopolitical stage.  Instead of curiosity, what tends to show up amongst enemy nations is distrust, accusation, manipulation, coercion, and combativeness.  At the heart of this form of noticing are human emotions that are difficult to be with discomfort, distrust, and, more often than not, fear.  This doesn't just happen among nations.  It also occurs in our everyday relationships.

A few years ago I was coaching a married couple, who claimed to have "the perfect sex life," but they just couldn't get along.  Both had plenty of justifications as to why the other wasn't being a good husband or wife.  He complained that she was "passive aggressive" and always found ways of deflecting responsibility for their arguments.  She would argue that he was domineering and even, at times, dictatorial. When we first met, the two of them tried to get me to see their respective interpretations of what was wrong with their partner.

She'd say, "I don't want to argue.  I just want to feel the way we felt when we first got together."  He'd rebut with, "I am not trying to start a fight.  Come on, Chad, can't you see how manipulative she is?"  At the point in our conversations when both had uncovered and identified the manipulative games they played with each other, I asked them, "Well, what's here if you're not playing out this psychodrama with each other?" Immediately, the masks came off, and what revealed itself in the space was raw, passion, and it was so palpable in the room, but neither of them could just be with it without reacting to it.

Being With What Is

Part of chit is really the capacity of being with things as they are, without interpretation, reaction, or labeling.  And there's so much we have great difficulty being with.  Like the couple above, a lot of us have a hard time being with our passion.  Instead of just experiencing it, we tend to jump to the conclusion that it means something like, "What does he want from me?" or like, "I don't deserve her."  We also have difficulty being with certain feelings in our bodies, like anxiety, sadness, anger, and even joy.  Before we will ever really let ourselves just feel what's coming up emotionally, we are often already seeking a solution that will get rid of the discomfort.

That's what "following the yuck in order to get to the yum" is all about.  Something occurs, like somebody says something to us that makes us uncomfortable, and then, before we actually give ourselves the space to just experience the pain, we go looking for a way to get rid of it.  We might seek revenge.  We might go and hide. We might go straight for the pint of Haagen Dazs.  This is just habit.  It's the habit of reacting so as not to be with the experience, as it is.

The Body as the Field of Experience

We know the world through our bodies.  All we need to do is slow down enough just to notice what's coming up, what it's feeling, and meet the feelings with curiosity and openness.  But being able to slow down and notice isn't necessarily easy.  That's why we practice daily and why the Yoga Sutras state that when practice is done steadily and for an extended period of time, we develop a solid foundation (1.14).  It takes continuous practice to get the hang of choosing the direct experience through the body over the reactive, interpretive reality that our discursive minds create.  In other words, it takes a lot of clarity and years of practice to be with both the pleasure and discomfort that shows up in our body without seeking gratification.  One of the benefits of daily practice is that we get the hang of being with the initial discomfort when we have to choose something that in the short-run doesn't feel so good but is ultimately for our highest good.

A student came to class today with some tears.  She was sad but proud of herself.  Yesterday, she broke off a relationship with someone who she cared about but didn't see a future with.  As she put it, "the relationship wasn't heading in the direction I wanted it to go.  Breaking it off is really painful, but I know that, in the long run, it's the right thing for me."  Instead of holding on to the relationship for another year or two, she knows that deep down inside, she has to let it go in order to meet someone who really does meet her.  Sometimes being with 'what is' doesn't feel so good.  In the case of our student, it's painful, but, simultaneously, there is a feeling, deeper down that something is "right," that it’s perfectly fine to just be with the discomfort, without having to fix it or resolve it.

By the way, our student is creating the yum in her life simply by being willing to face the pain of breaking off the relationship.  Why?  Because she is creating a sort of congruency between whom she knows she is deep inside and whom she is out in the world.  Creating that harmony sometimes requires being with what we fear the most.  In fact, more often than not, it takes incredible courage to make that leap.

Asana: Directing Our Awareness Toward Ananda

The practice of asana (posture) teaches us both how to be with the discomfort when and how to kinesthetically distinguish when the experience of "the yum" is authentic. In Patanjali's Sutras, "the yum" in asana is described as: sthira sukham asana (2.47), the place in the posture that has the simultaneous qualities of sthira, steadiness, and sukha, comfort.  So when we practice asana, we're developing a feel for ananda.   That's why Pattabhi Jois used to say that Ashtanga Yoga is 99% practice and 1% theory.  It's not a passive, intellectual pursuit.  It's active, and it requires the direct experience.

For those of us who practice, we all know it.  Every once in a while we're in a posture, working with the breath a little, refining the alignment, noticing the bandhas, and then all of a sudden there's this deep, resonant feeling of, "Yes," or "Mmm," or "Ahhh," or just emptiness, vast emptiness.  That's the experience of sthira sukham asana.  And it's the experience of ananda.  It's not that superficial pleasure we get when we eat a cookie or drink wine.  It's deeper than that.  There's a sort of profundity, a rightness, a fundamental goodness about that experience.

And it's why Mysore teachers give adjustments in class.  They do it, not because they simply want to force students into a deeper posture, but because they want the student to connect to the deeper resonance that the posture can evoke in the body.  When we get the hang of finding those dual qualities in our physical practice, when we find that sweet spot, we begin to develop the skill for discovering it in our relationships, in our work, and in our lives.

Being at Choice

The funny thing is that the moment we've found that sweet spot, it's gone.  It only occurs in a moment.  So what brought us sthira, steadiness, and sukha, ease, in our asana or in our lives yesterday won't hold up today.  The nature of things is change.  Nothing is constant, so we have to remain flexible, not just in body but in mind, as well.

Part of chit is being aware and open enough to see that we are constantly at choice in how we interpret things.  Usually, we just assume that the way we've interpreted reality is just the way it is and probably the way it will always be.  Consider that your interpretation of this blog would change dramatically if you read it ten years from today or even if you read it one more time.  Yet we have the tendency to think that our interpretation of 'what is' is the way it is, that it's fixed.

But if we will apply chit to an experience and the interpretation of it, we will find two very different domains of reality.  The first is based in the direct experience, which is always here and in the present moment.  The second is rooted in ideas, beliefs, opinions, and judgments, all of which are past oriented. So, for example, as I was practicing this morning, I noticed a lot of heavy and crampy sensations in my back and legs.  That was my direct experience.  I could have interpreted that experience to mean that I was stiff today, certainly quite a lot stiffer than I was yesterday.  Once I made that interpretation, I could have followed that logic and made my stiffness mean something like, "I hate practicing when I am stiff.  I think I'll just skip the rest of the poses I planned to do and go straight to savasana (corpse pose)."

I am at choice only when my awareness is here and now, in the present moment. When I am stuck in my interpretation of what the sensations means, I'm caught in a cascade of decisions, which are all informed by past stories and experiences that have nothing to do with what I am experiencing in the moment.  More often than not, the choices are not appropriate to the situation at hand.  But when I just experience the sensation directly, I am more apt to make choices that are appropriate for that particular situation, choices that bring me back to ananda, to both my truth and to what's needed in the present moment.

Chit-Ananda

It takes incredible patience not to jump straight to conclusions but simply to observe what's here.  Patience is not about waiting without any discomfort.  True patience is really the capacity to wait both with comfort as well as discomfort.  If we will slow down enough and direct our attention to what is here in the present moment without judgment, without labeling, with curiosity, by allowing things to be as they are, we will discover what the well-known and widely respected Ashtanga Yoga teacher, Richard Freeman, calls "the yoga matrix," which he describes as  "the background of unconditional love and absolute support that is the true nature of an open mind" (Freeman, Richard. The Mirror of Yoga: Awakening the Intelligence of Body and Mind. Boston: Tambala Publications. 2010. Print).  This is nothing other than ananda, our truth, our happiness, our wisdom, and the deep, profound sense of the perfection of things.

Sat-Chit-Ananda Series

This is the second part of a four-part series that explores the experience of yoga. Be sure to check out the other posts!

Ashtanga Yoga: The Tradition and The Dogma

A few days ago, while a student was coming up from backbends, I noticed that she was breathless and grimacing.  I asked her what was up.  She said that her previous Ashtanga teacher encouraged her to move through the series of movements quickly.  She described how the rapid movement agitated her. Dropping into a backbend and coming back to standing is traditionally taught: exhale go down, inhale come up, and the movement is repeated three times with no pauses in between. As a teacher of this tradition, I was immediately stuck with a quandary.  Do I ask her to keep the traditional vinyasa count, thus, honoring the tradition but compromising her well-being, or do I offer her an alternative route? This is a classic situation that comes up in practice, both as a student of the tradition and as a teacher.  Do I uphold the tradition or honor the well-being of my student?  I think it’s obvious that my students’ well-being has to come first over the tradition, but in honoring the tradition, it can become a very slippery slope between letting go completely and gripping with a quality of rigidity.  In many ways, as a teacher and practitioner in and from The West, the dance of honoring tradition and the individual, at the same time, can be a challenging one.  How do we not lose the essence of the tradition and, at the same time, fit the practice to the individual?

'Correct Method' / 'Incorrect Method'

I, personally, have struggled with this question for quite some time, probably since the first day I showed up in Mysore in 1993 and discovered that in order to bind my legs in a lotus posture (padmasasna), I had to dislocate the meniscus.  Each time I believe I have struck the perfect balance, I find that I have either become too rigid in a particular situation or way too ‘wishy-washy.’  Admittedly, I err on the side of ‘wishy-washy.’  Something about my personal makeup hates imposing right and wrong on my students.  And so much of following the tradition is about right and wrong.  There’s a right way to do the sequence and there’s a wrong way.  Throughout the years of being a student of Pattabhi Jois’, I heard the words “correct method” and “incorrect method.”

Yoga That Transcends Duality

And somehow, in my mind, a good and powerful system of yoga should and must transcend all duality.  Yoga is, after all, about the union of those opposing forces, masculine and feminine, right and wrong, evil and righteous.  In the language of The Hatha Yoga Pradipika, we’re balancing and harmonizing the solar and lunar energies within the left and right tubes or nadis of the subtle body that feed the energy vortexes, called chakras, in order to evoke or stimulate the sushumna, the central channel within the subtle body of the spinal column.  This is an energetic code for the experience of the transcendental experience that occurs when masculine and feminine, right and wrong, good and bad have been harmonized.  It’s a way of saying that a deeper, wider, and more profound reality exists beyond the bounds of duality.  In the Yoga Sutras, Patanjali says that posture should be “steady and comfortable.” (2:46) “It results with relaxation of effort and the meeting with the infinite.”

Fighting through a posture just because the tradition demands us to do it in a particular way takes us further and further away from the essence of yoga.  And I think that this is where, as teachers and practitioners of any system that comes from a different culture--whether it is yoga or Zen— we need to maintain a critical eye.  It doesn’t behoove us or our students to fall into the trap of saying, “because that’s just the way it is.”  It’s simply the way it is as determined by the elite within the system that we’re in, whether it is the charismatic teacher or the agreement of the masses within the system.

Drawing the Line: Tradition vs. Individual Needs

But here’s where the dance gets interesting.  Where do we draw the line between honoring the system our teacher shares with us and yet remain flexible enough to honor our individuality?  I remember having this same conversation with an Orthodox Jew over a meal many years ago.  I asked her why she followed all 613 commandments with such stringency.  Her deadpan response was: “What am I going to do, follow 400 and then drop the other 213?  That’s a slippery slope.  Who am I decide?  That’s in Ha Shem’s [trans. The Name, which is code for God] hands.”     If we were to follow the Ashtanga tradition with the same stringency, then  men could only have sex during the nighttime. Not only that, if “the breath is felt to be moving through the surya nadi [the right nostril], then that is to be regarded as the daytime, and during that period, copulation and the like are not to occur.” (p. 10, Yoga Mala, P. Jois)

Yoga Practice As a Metaphor

The problem, as I see it, is that we’re facing the issue of a literal reading, as opposed to a metaphorical reading of “the practice.” Joseph Campbell, the mythologist, says that myth and the ritual that accompanies it: “ denotes something transcendent…so that you always feel accord with the universal being.”  Myth uses metaphor to denote one kind of object or idea but used in place of another to suggest a likeness. When we fall into the trap of reading myth or ritual and its accompanying symbols literally, we miss the deeper, wider, and higher spiritual implications that they have the potential to put us in touch with.  All ritual--including the practice of Ashtanga Yoga with its precise vinyasas, victorious breathing (ujayi), internal locks (bandhas), and gazing points (dristis)—are pointing to an inner experience, to fields of consciousness that reflect our inner most being.  However, in the practice of Ashtanga, we often mistake the literal for the metaphorical; the form for the formless; the act for the way of being that that act is pointing to.

When I reflect on almost twenty years of practice, it seems to me that there have been periods of time when I’ve gotten stuck in the literal. I have, at times, been lured by the trajectory of progressing from the primary series, to intermediate, and then, eventually to the advanced series. Early on as a neophyte practitioner, I’d even hoped that as I advanced along the series, somehow life would take on a new shine, that samadhi was right around the corner.  But this approach led to nothing more than physical feats that contortionists from Cirque du Soleil do much better than I ever could.

The Trap of Focusing on 'Correct Method' and 'Incorrect Method'

Really, what I discovered was that “correct method” and “incorrect method” really missed the point and only calcified and petrified aspects of my psyche that needed the light of consciousness.  After all, as a young man of nineteen years old, I came to the practice with the hopes of being more connected to something greater, to overcome feelings of smallness, fear, and grief.  But as I progressed along the path laid out for me, instead of becoming more spacious, more connected, my orientation became focused on doing it “correctly.”  I got stuck in a myopic vision of the path of yoga being about attainment of some image of perfection.  In essence, my practice became another place where I had to struggle.

Oh, and what a mistake that was because it lead me away from the essence of the practice.  I mistook the tools at my disposal--like the postures (asanas) or the internal locks (bandhas)--as the path.  In other words, instead of using these points of focus as metaphors that pointed to more profound states of consciousness, I read them literally and used them to be “good,” so that my teachers and the community of yogis would recognize and like me. In addition, my practice, at times, became purely physical.

What Mula Bandha Can Show Us

If, for example, I performed the root lock (mula bandha) throughout the practice, I told myself that I would be able to jump back and jump through with greater ease. Indeed, the engagement of the core muscles does increase strength and agility.  But that literal reading kept that act of yoga simply a bodily feat.  Mula bandha, can also be read metaphorically.  Its magic isn’t just in the physical mastery of it.  Its magic also lies in where it points consciousness. Given that it is at the base of the body, it points us in the direction of the earth, the part of us that is earth element.  Engaging mula bandha might remind the yogi to be connected to the earth no matter how contorted life becomes.  In addition, mula bandha might encourage us that while consciousness has a propensity to disconnect, that the path of the yogi is to stay in form, to use the body as a tool to experience both inner and outer fields of consciousness.  Mula bandha itself might be a meditation into the root of our being, who we are at the most base level: the part of us that is simply a tube eating, digesting, and defecating.

The essence of what I am saying is that as teachers and practitioners of this method, when we get too literal with the practice, we miss the deeper inquiry that the practice offers us.  If it becomes about progressing along the series, doing it “correctly”, only doing it the way it’s done in Mysore, etc. then the depth and breadth that is the promise of yoga might never be tasted or known.  Honestly, having been down that road, I can say with certainty, there is no pot of gold at the end of the primary, intermediate or advanced series, nor is there any great boon from doing it “correctly” or even “traditionally.”

Why Do You Practice?

I like what Cambell says about what we’re after in life.  “People say that what we're all seeking is a meaning for life. I think that what we're seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances within our own innermost being and reality, so that we actually feel the rapture of being alive.” (Campbell, J, The Power of Myth, 1998, episode 2, chapter 4, PBS television series, Mystic Fire Video) Some may dispute this, but I, personally, sense that the essence of practice is to access this aliveness.  Nobody and no system has a better clue about how to do that than we, personally.  It helps to try out lots of different tools and stick to the systems and teachers that offer them, but in the end, each of us has to become the final arbiter.  We have to have the courage to ask ourselves, does this resonate?  Is it bringing me closer to truth?  Is it deepening my consciousness?  And if the answer is, “no,” and it doesn’t jibe with the tradition or the teacher, we have to be courageous enough to stand on our own and to continue to seek and discover an access points that do.